Morat made the Voltaire Paladines Polo Coliseum vibrate in his first concert: ‘Thank you Guayaquil, really, thank you’

Friday night is one of those that will remain treasured in the minds and hearts of the more than eight thousand people who gathered at the Voltaire Coliseum Paladins Pole of Guayaquil to listen, chant, cry, shout, dance and even skip the songs of the Colombian band Morat.

When Juan Pablo Isaza, Juan Pablo Villamil and the brothers Martín and Simón Vargas They arrived on stage to perform their theme Where we go, Guayaquil automatically experienced love at first sight, after almost two years, without massive (international) concerts due to the covid-19 pandemic.

The reunion was not only celebrated in the four towns -which were fully occupied-, but also by the four musicians. “Ecuador are being the first concerts of our year”, stated one of the performers, before launching unannounced There’s nothing more to speak of.

The fans lived the two hours of concert with an energy that sustained her until the last second; some wore headbands with the word Morat on their heads, others preferred caps. While many accompanied the recital with some inflatable lights, others did so with beers, hot dogs or waters to refine the throat. Undoubtedly, the trade also had its gain from this reunion.

Before treating his audience to a sublime interpretation of First times, Isaza launched into a reflection. “There is nothing better than the first times…. Guayaquil we are optimistic, that even if things go away, things should not always go to hell”, said the Bogotan, who invited the public to turn on the flashlight of their cell phones to accompany him to the melody of this song.

When they had only played five songs, the group thanked them for the warm reception. “Thank you Guayaquil, really”, Villamil said.

“The four of us are the luckiest to be with you”, complimented by his side Martin Vargaswho from the drums and with a unique grace on his face played and sang My luck.

At times his concert alluded to a diary of memories, because to give way to some of his songs the four musicians alternated to make melancholy and testimonial reflections. Just as Villamil did, who said that the topic fall in love with someone else It was based on real events. But it was Simón who stole the screams of his fans with some poetic words as a prelude to When the emotion escapes.

But Simón stood out on other occasions as well. While the musicians were doing their thing on stage, he and his bass were doing their thing; admiring him as he passionately felt each chord only reaffirmed how pleased he was with this show.

“Spectacular Guayaquil”, Villamil exclaimed on his side.

According to your style indie and folk, the artists played with some instruments on stage; guitars, drums, tambourine, bass, piano, and even a hang drum played by Martin for They just pass. But the most exciting instrument was the one made with sounds emerging from the audience; Martin defined it as a ‘human battery’.

This emotion raised his curve to the maximum, when Simón invited two young people from the audience to get on stage. “This is a trip with friends… and on trips there is something special that ends up compressed in stories that one tells…. And we want a memory of Guayaquil”, previously expressed Simon.

Morat began to sing his recent songs like Lost call, Moron, Please don’t go or of Zero; its not so old themes like I sense. And the first musical sons of him as It doesn’t go away Remember me, learn to love youor when no one sees.

They said goodbye twice, because the ‘other… another… another’ from the public brought them back to the stage, to close with their anthem, among other songs: How dare you.

The Colombians recalled that this Saturday will be their second presentation in the city; the same one that also has all its locations sold out.

Dicap enjoyed it

It was also the night of dicap; with his voice, movements, and style he made the public feel in the Clouds, as he says in his theme released just a few days ago.

The singer appeared on stage when the clock said 19:43. His outfits color went hand in hand with the sound proposal of his songs and with the energy that radiated from the stage.

Dicapo, the solo musical facet of Diego Chiang, an artist of the new generation

His speech started with his topic Us; then continued with So many things, song which was accompanied by some sensual movements that were combined with Cloudsa theme with which he closed his performance to which he added his spontaneous steps and heartfelt gratitude.

Diego Chiang, his first name, he enjoyed it from start to finish; In the ten minutes that his presentation lasted, he was master of the public that until that moment had gathered at the Voltaire. (I)