The image on the TV is uglier, because we forget about these two settings, only bright

TV manufacturers rarely configure equipment for the best image quality. Instead, they focus on eye -catching, bright store settings, which at home make the films look unnatural. When our image is too dark, overclocking the brightness can deteriorate the matter – the image becomes washed out of colors, and black turns into gray.

Contrast – more than the difference between black and white

The contrast determines how the TV copes with the transitions between light and dark fragments of the image. This is a key setting for every movie or series. With the wrong setting of the contrast, the night scenes blend into a homogeneous mass, and bright, sunny shots look like a white spot without sharp details.

The contrast is best set in the range of 80-90%. Then we will see all the details in the light parts of the image, and at the same time dark scenes will keep the right depth. When adjusting, it is worth turning on a movie with various scenes – both light and dark with the right contrast, we should immediately see the difference.

Gamma – is also a very important setting

Gamma is responsible for the way the TV displays the so -called Intermediate tones, i.e. everything that is neither very light nor very dark. It is these areas that occupy most of the screen when watching movies. The bad setting of Gamma can make the faces of the actors look unnatural and the colors will lose their depth.

In all LCD TVs (LED, QLED, Mini LED), the optimal gamma value is 2.2. OLED owners, especially if they watch in a darkened room, they should try the value 2.4. This difference is due to the characteristics of both display technologies. Newer TV models offer the adaptive gammy function – it is worth turning it on, especially if the amount of light in the room changes significantly during the day.

Brightness – when and how to regulate it

After setting the contrast and gammy, the time comes for a correction of brightness. This parameter is not used to brighten the entire image, as it might seem. It mainly controls the method of displaying black and darkest tones. Too high brightness makes black elements of the image gray and the film loses its depth.

The optimal brightness setting is usually between 45 and 55%. These values ​​allow you to keep deep black, while not losing details in dark scenes. When adjusting, it’s best to focus on dark fragments of the image – we should see details, but without gray glow.

Summary, or step -by -step calibration

To start with, turn on the movie or cinema mode – this is a good base for further regulations. Then set the contrast to about 85% and check that the bright elements of the image are not overexposed. The next step is gammy regulation – 2.2 for LCD (LED, QLED, etc.) or 2.4 for OLED. Finally, correct the brightness, focusing on the quality of black.

Remember to turn off the artificial “improvements” of the image. Functions such as noise reduction, image liquefied or HDR mode “live” often spoil naturalness and quality instead of correcting them.