The super duo has just released their first album, “An evening with Silk Sonic”, which mixes funky, R&B and disco sounds.
Anderson .Paak was born in 1986; Bruno Mars, in 1985. The sound of his new collaborative album, An evening with Silk Sonic, comes from a decade earlier, 1970, when the funk and the soul of the 60s gave way to a new sophisticated luxury.
With this musical project, the singers have promised aural pleasures in their fiery, velvety harmonies, supported by generous strings and horns. It is that they have decided to revisit this bygone era to produce with meticulous engineering a mixture of homage, parody, flashback to the happy years that saw the birth of disco music.
With this they show skill and effort and, above all, that he is having a good time with the rhythms that have inspired his individual careers. Silk Sonic has brought together the best of the world of Mars and the universe of songwriter and rapper .Paak.
Bruno Mars He is a multi-instrumentalist with a strong retro style. His voice and verse writing and choruses are directly reminiscent of Michael Jackson, Stevie Wonder, James Brown, The Police, and others, as he sings about seduction, romance, and sometimes getting someone back.
The catalog of .paak examine more complex topics. In his records, which are named after the places where he lived, he oscillates between melody and rap, and his lyrics acquire contemporary conditions; He is also a soul-infused musician and R&B live band musician, and an energetic drummer.
His songs confront the tensions of identity, desire, success, politics, self-expression and repression; Silk Sonic gives you a vacation on these topics. On an evening with Silk Sonic, the specificity of .Paak merges with the pop generalities of Mars, while the two duplicate knowledge and intelligence.
Most of this album brings to life the sound of bands from the 70s, such as Earth, Air and Fire. Mars and .Paak take turns delivering energetic, acrobatic lead vocals and layers of elaborate accompaniments: creamy backing harmonies, rousing calls and responses, oohs of happy falsetto, and some ballads turn funk.
The distance between the 1970s and that beginning in 2010 is also shown in a slightly rougher language and more overtly materialistic lyrics. Smoking out the window It’s a bitter song, but still in love with a former gold digger. The lyrics use a stronger word that makes the singer smoke out the window of my Benz. And in Put on a smilePaak mixes his tearful nostalgia with designer branding flaunting: “If I could turn my Rollie’s hands, you know I would,” he sings, referring to his Rolex.
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